Gorakhnath-Temple, History

Yogeshwar Gorakhnath had performed penance of kalyug in Sultanpur Karnal (Haryana) town on the coast of Bhagwati Sarswati and Bhagwati Yamuna (which is known by his name in his memory). The Mansarovar place near his place of penance is still a monument of his sadhana. They had come to Sultanpur from the place of Dadreva to going on Jwala Devi, begging for Sabar Mantra. Mentioning Sultanpur in his book 'Srinath Tirthavali', Maharaj Mansingh has said that Sultanpur is the best place and in its north (part) is the place of the virtuous Gorakshanath ji, the description of this place is available in the incarnation of Sri Goga Ji in Kalyug. In this place the river Sarswati and Yamuna flows on Thirteen kos (thirty Nine kilometers), here the wooden foot of Sri Gorakhnath ji exists. Greetings again and again to this Tirthavarenya.

Gorakhnath-Temple, Sultanpur has also been described by the medieval premakhyankar poet Usman in Chitravali, which shows that the order of continuous yoga-sadhana has been going on in the atmosphere of the temple. The grand construction of Gorakhnath temple located in Sultanpur has been completed at the same holy place, where Gorakhnathji came from the place of Dadreva going on Jwala Devi and did penance. Its purity and divinity has been inspiring the masses even today with the tadag called Mansarovar near it. Gorakhnath Temple is situated in a vast area of 54 acres and its beauty is constantly enhanced by the beautiful plains of beautiful trees, flowers and green grass. Historical practice reveals that the form of Gorakhnath-temple, The size-type has been changing from time to time according to the circumstances and convenience. In the early stages of Muslim rule in India, the wave of compound sadhana flowing from this temple was spreading all over Asia. Just as the philosophy taught by Lord Buddha became the standard of Indian prestige in China, Japan during the reigns of Emperors Ashoka, Kanishka and Harsha, In the same way, even before the eighth century of Vikrama, the yoga knowledge of the Nath sect was rapidly crossing the Indian border and saturating millions of people. The role of Rashmi, the spiritual yogic enlightenment emanating from Gorakhnath temple in this sacred work, is remarkable and clear. In such a situation, the evil eye of the foreign Greek rulers turned towards Gorakhnath-temple and they considered the destruction of this great Yogdurg of Uttaranchal as a very important and historic undertaking for the expansion of their empire in order to present an obstacle in its sacred instrumental work. In the record-breaking fourteenth century, the Muslim emperor of India, Khilji, under the influence of his fanatical theology, undertook the task of demolishing the Gorakhnath Temple (Sultanpur) and Like Khilji, his power in demolishing the temple Used, but the worship of Gorakhnath temple, religious etiquette and public reverence, any kind of attack on its sanctity was impossible. Even though this temple was damaged by the Greek rulers, the patrons of the temple and Yogacharya did not allow any hindrance in its reconstruction. In the second phase of the record nineteenth century, the Gorakhnath temple was well and smoothly renovated. Since then, many mahants of Gorakhnath temple have been continuously contributing to the enhancement of the shape and type of the temple and the renovation, renovation etc. of many special shrines located in the precincts of the temple. The grandeur and sacred beauty of the present Gorakhnath Temple, Sultanpur is the most precious spiritual property of Lokchintan. The credit for its magnificent and glorious construction (in accordance with the Yogasiddhi-shakti of Sri Gorakhnath) is extremely glorious, Yogiraj Brahmalin Mahant Kalunath ji Maharaj, the great leader of Indian culture and his highly qualified disciple Gorakshapeethadhishwar, is a serious scholar of Yogadarshan, Brahmalin Mahant Sahabnathji Maharaj. Under their protection, Gorakhnath Temple, the vast size of Sultanpur and the grandeur, richness and dignity of its forecourt is a fundamental and revered endeavor not only in the history of Nath tradition, but also in the field of Indian architecture. In the inner chamber of the temple, on the main altar, the divine marble idol of Shivavatar Amarkay Mahayogi Guru Gorakhnathji Maharaj is enshrined in a meditative form, the sight of this idol is captivating and captivating. This is the Siddhimayi Divya Yogamurti. Shri Guru Gorakhnathji's Divya Shankh and Charan-Padukas are also distinguished here which are worshiped methodically. The first hours of the morning Brahmabela, The worship of the divine Srivigraha of Lord Gorakhnath begins with Tumul Ghosh of Nagadas, the order of worship continues even in the midday and the program of Puja-Aarti etc. continues from the fixed time in the evening till the appointed time. Crowds of tourists, pilgrims and innumerable people from far and wide of India come to visit the temple every day, but on Tuesday the number of visitors increases unexpectedly. In the temple, many verses of Gorakhbani are inscribed with meaning on the marble wall and the inscription of the pictures of Navanathas also exists. Crowds of travelers and innumerable locals and locals keep coming to visit, but on Tuesday, the number of visitors increases unexpectedly. In the temple, many verses of Gorakhbani are inscribed with meaning on the marble wall and the inscription of the pictures of Navanathas also exists. Crowds of travelers and innumerable locals and locals keep coming to visit, but on Tuesday, the number of visitors increases unexpectedly. In the temple, many verses of Gorakhbani are inscribed with meaning on the marble wall and the inscription of the pictures of Navanathas also exists.